Céline’s third novel, first published in 1944 but dealing
with events taking place during the First World War,
Guignol’s Band follows the narrator’s meanderings
through London after he has been demobilized due to
a war injury. The result is a frank, uncompromising,
yet grotesquely funny portrayal of the English capital’s
seedy underworld, peopled by prostitutes, pimps and
schemers.
Often considered to be Céline’s funniest work,
Guignol’s Band showcases its author’s idiosyncratic
style at its finest, frantically blending slang, invective,
onomatopoeia with literary language, and bridging the
gap between gritty realism and absurd mysticism.
________
'The most blackly humorous and disenchanted
voice in all of French literature.'
London Review of Books
________
Read an excerpt from
Guignol’s Band
By the same author: