Richard Wagner’s fifteen-hour operatic cycle
The Ring of the Nibelung ends with this great
music drama. Michael Tanner’s essay tackles
the scale and meaning not just of this work
but of Wagner’s whole undertaking, showing
that
Götterdämmerung is – for all its length
– his fastest-moving drama. Composer Robin
Holloway brings the focus of creative genius to
his discussion of the score, while Christopher
Winkle’s article analyses Brunnhilde’s
concluding monologue. The ninety numbered
musical themes of the Thematic Guide are
cross-referenced to the other
Ring guides.
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'Brilliantly produced and superb value.'
Sunday Times
'All these will provide the new opera-goer with food for thought.'
Daily Telegraph
'Wholehearted recommendation of this valuable new series.'
TLS
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